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“That was not a problem for me,” Banderas said of the role. “But of course, I can’t name them, because I don’t think they would be very happy to know this.”īanderas relished the challenge, and the ironic analogs, of portraying Félix, an internationally famous and prolific Spanish actor who has triumphed in Hollywood, despite (or perhaps because of?) his arrogant and impulsive temperament.
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“I know a lot about this world, because I’ve been in it since I was 13 or 14 years old, but this was a kind of weirdo that I was able to create as if it were my own Frankenstein, using references that did not correspond only to women or people linked to cinema but also to other fields of art,” said Cruz, who has directed some short films and a documentary. With ‘Pain and Glory,’ Antonio Banderas and Pedro Almodóvar have a collaboration that now stretches back nearly 40 years. Movies Antonio Banderas and Pedro Almodóvar’s ‘Pain and Glory’ marks a deeply personal reunion “The biggest difficulty was that you had to cut many times due to one of us laughing, including the directors and members of the production team, because this is one of those intelligent comedies that are not made frequently.”īeyond getting to work with Banderas, the role piqued Cruz’s interest because it allowed her to play a filmmaker. “In this case, communication was very easy, because we know each other very well,” she continued. “But we had only had one scene together in ‘I’m So Excited!’ and in ‘Pain and Glory’ we were separated.” “Pedro brought us together it couldn’t have happened any other way,” Cruz said, referring to Almodóvar, the enfant terrible turned eminence terrible of European art-house film. Yet, speaking by phone from Madrid, Cruz said that after teaming up with Banderas on “Official Competition” she felt they’d been colleagues forever. In Almodóvar’s “Pain and Glory” (2019), Banderas and Cruz appeared almost entirely in separate scenes, on parallel narrative tracks, he as a physically and mentally ailing Spanish director, she glimpsed in flashbacks as his mother (or possibly, in a typically Almodóvarian life-imitates-art-imitates-life twist, as an actress playing his mother). “Penélope created from the inside out, probably using part of her imagination and part of the behaviors that she herself had seen in different directors, to which she then added this whole exterior aspect, with the red wig and the eccentric side that the character has,” Banderas said.
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They first met in New York when he was playing the lover of Tom Hanks’ AIDS-stricken lawyer during shooting of “Philadelphia” and Cruz was figuring out how she too might crack the English-language market. They’ve also known each other for nearly three decades, Banderas said during a recent Zoom interview from his apartment in New York, where he had flown in from Barcelona to attend the screening of “Official Competition” at the Tribeca Film Festival. Besides turning up in several of Almodóvar’s shimmering screwball-comedy melodramas, both successfully made the leap into the Hollywood mainstream, Cruz with “Pirates of the Caribbean: On Stranger Tides” and an Oscar-winning turn in Woody Allen’s “Vicky Cristina Barcelona,” among other roles, and Banderas with “Philadelphia,” “Desperado,” “The Mask of Zorro” and the “Shrek” saga.
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Penélope Cruz and Antonio Banderas reunite for a meta movie about the various vanities of filmmaking.ĭespite their infrequent collaborations, Cruz and Banderas have had curiously similar career trajectories. Movies Review: Penélope Cruz and Antonio Banderas light up the playful satire ‘Official Competition’